Arts & Culture

Film Screening: Daughters of the Dust

7:00 pm - 9:30 pm | 12 February 2020
Foundation for Art and Creative Technology | £3.50-£15

In 1991, Julie Dash made history when she became the first African-American woman to direct and produce a feature film that was widely distributed in the U.S.

Set in 1902, it tells the story of three generations of women living on an island off the coast of South Carolina as they prepare to migrate North to the mainland.

The screening will be accompanied by an introduction from our Programme team, rooting each film within the context of the exhibition.

Click  here for tickets.

Writer, producer, and director Julie Ethel Dash was born on October 22, 1952, in Manhattan, New York, to Rhudine Henderson and Charles Edward Dash. After graduating from Jamaica High School, Dash received her B.A. degree in film production from City Colleges of New York in 1974, and her M.F.A. degree in film and television at the University of California Los Angeles. Prior to receiving her M.F.A. degree, Dash was a two year Conservatory Fellow (Producing/Writing) at the American Film Institute’s Center for Advanced Film Studies.

Dash began her study of film in 1969 at the Studio Museum of Harlem’s Cinematography Workshop, with a special interest in foreign film. She was then accepted into film school at the Leonard Davis Center for the Performing Arts, where she wrote and produced a promotional documentary for the New York Urban Coalition called Working Models for Success. After Dash graduated, she moved to Los Angeles and attended the Center for Advanced Film Studies and the American Film Institute. In 1975, Dash directed Four Women, a “choreopoem” based on the song of the same title by singer Nina Simone. In 1977, Dash directed the film, Diary of an African Nun, which was shown at the Los Angeles Film Exposition and won her a Director’s Guild Award for student filmmaking.

In 1983, Dash directed Illusions, a short film about a young African American woman passing for a white executive assistant in 1940s Hollywood. The film won her the 1989 Jury’s prize for Best Film of the Decade by the Black Filmmaker Foundation.

Dash received her highest acclaim for the 1991 film, Daughters of the Dust, an original story and screenplay. The release of the film marked Dash as the first African American woman to have a full-length general theatrical release in the United States. In 1999, the 25th annual Newark Black Film Festival honored Daughters of the Dust as being one of the most important cinematic achievements in black cinema in the 20th century. In 2004, The Library of Congress placed Daughters of the Dust on the National Film Registry. This distinguished film joined 400 other American-made films that are being preserved and protected as National Treasures.

Dash’s novel, Daughters of the Dust was published by Dutton Books in 1997. The novel is the continuing story of the Peazant family from the movie, and Dash wanted to have the novel titled Geechee Recollections. When going to press, however, the publisher chose to go with the well-known title from the original movie.

Dash has directed music videos, television commercial spots, shorts, and long form movies for cable and network television including the NAACP award-winning CBS network television movie, The Rosa Parks Story, Funny Valentines, Love Song, Incognito and “Sax Cantor Riff,” a segment of HBO’s SUBWAYStories: Tales from the Underground. She has directed music videos for music artists including Raphael Saadiq; Tony, Toni, Tone; Keb ‘Mo; Peabo Bryson; Adriana Evans; Sweet Honey in the Rock; and Tracey Chapman’s “Give Me One More Reason”.

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